Your programme deserves a digital presence as considered as the work itself.
We work with museums, galleries, theatres, arts organisations, and cultural institutions that need design rigour, accessibility compliance, and multilingual capability — without the overhead of a large agency.
Philosophy
Built with curatorial understanding.
Noran Design is founded by Nicole Fung, who has personally curated exhibitions across London, Edinburgh, Toronto and Hong Kong. We understand the balance between artistic intent, collections, visitor experience and institutional needs, then translate it into clear, considered digital experiences.
Accessibility and EAA compliance
The European Accessibility Act is now in force. We audit, remediate, and build to WCAG 2.1 AA across websites, digital publications, and interactive experiences — protecting you from legal exposure and serving every audience member.
Multilingual design
Websites, publications, and campaign materials designed for multiple languages from the ground up — not retrofitted. RTL language support, cultural sensitivity, and typographic care across scripts.
Impact reports and annual reviews
Publication design that meets funder reporting standards and tells your story with rigour. From Arts Council to National Lottery reporting — we've done it, and we know what panels look for.
Digital ticketing and visitor experience
UX design for booking flows, visitor information, and programme discovery. Designed for clarity — whether someone is booking their first visit or navigating a complex season programme.
Brand and visual identity
Identity systems built around your artistic programme — flexible enough to evolve season to season, consistent enough to build recognition over years.
Digital operations and automation
CRM setup, audience communication systems, membership flows, and internal tooling — so your small team can manage large audiences without burning out.
A team that understands your world.
One-Off Projects
Scoped engagements for specific needs.
Fixed scope, fixed fee, final cost agreed before any work begins. All projects include source file, full IP transfer, and 3-day post-delivery support.
Website Design and Build
Accessible, multilingual-ready, and built for programme discovery and ticket conversin.
£5,000
Art & Culture Rate
Brand Strategy and Identity
Identity systems designed to flex across programmes, seasons, and media - print and digital.
£4,000
Art & Culture Rate
Digital Experience and UX
Accessibility-led design for platforms and services used by your beneficiaries.
£3,500
Art & Culture Rate
Editorial and Content Design
Impact reports and annual reviews designed to meet funder reporting standards.
£3,500
Art & Culture Rate
Embedded From Day One
We work closely with your team from the beginning, bringing clarity to complex challenges and helping you move from ideas to execution with confidence.
Focused Delivery
We keep the process considered and efficient, helping you make meaningful progress without unnecessary layers or delays.
Ready to Evolve
Everything we build is designed to grow with your organisation, from flexible website structures to scalable design and operational systems.
Clear Priorities
Every engagement begins with a clear understanding of your goals, challenges, and next steps, so the work stays focused and purposeful.
Built to Keep Working
We create brands, websites, and systems that are easy to maintain, adapt, and use long after the project is complete.
Flexible Engagement
Choose the level of support that fits your organisation, from one-off strategic projects to long-term digital partnerships.
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FAQ
Do you understand the arts funding landscape — Arts Council, National Lottery, and similar bodies?
Yes. We've worked with cultural institutions on projects funded by Arts Council England, The National Lottery Community Fund, and various international arts funding bodies. We understand what grant reporting requires, how impact data needs to be presented, and the design standards that publicly funded organisations are expected to meet.
We also know that grant cycles don't map neatly to standard agency billing schedules — which is why we offer flexible payment arrangements for funded organisations.
What does EAA compliance mean for our institution specifically?
The European Accessibility Act (EAA), now in force, requires digital products and services to meet WCAG 2.1 AA accessibility standards. For cultural institutions — especially those in receipt of public funding or serving public audiences — this is both a legal obligation and an audience expectation.
In practical terms, it means your website, booking flows, digital publications, and any interactive content must be navigable by screen readers, operable by keyboard alone, and perceivable without colour dependency. We audit what you have, tell you what needs fixing, and can implement the remediation directly.
Can you design for multilingual audiences, including right-to-left scripts?
Yes — multilingual design is a core part of our practice, not an add-on. We've worked with organisations serving Arabic, Farsi, Hebrew, and other RTL-script audiences, as well as European multilingual contexts. We design layouts that work across scripts from the start, rather than retrofitting an English-first design.
We work closely with your translation providers or can recommend partners for languages we don't cover in-house.
How do you handle the tension between artistic vision and digital usability?
We don't treat them as opposites. The best cultural institution websites are both beautiful and functional — they communicate the ambition of the programme while making it effortless to find information, book tickets, or explore the archive.
We start by understanding the artistic identity and letting that inform the design direction. Usability constraints are introduced as parameters, not compromises. The result is design that feels intentional rather than templated.
Our institution has a board and trustees involved in approvals. How do you manage that?
We're accustomed to it. Governance structures, trustee review cycles, and committee sign-off are part of how cultural institutions operate — we build them into the project timeline from the start and produce board-ready presentations at key decision points.
We'll be clear about what decisions need to be made and when, so approvals don't become bottlenecks.
Can you work within our existing brand guidelines?
Yes. If you have an established visual identity, we work within it. If the guidelines are outdated or incomplete, we'll flag that early and recommend whether they need light extension or a fuller update — with your input, not unilaterally.
If you're starting without guidelines, we build them as part of the engagement so future work — whether done by us or in-house — has a clear reference point.
We're a small team. How much of our time will this take?
We build our working process around small in-house teams. After an initial onboarding session, most of our cultural institution clients spend fewer than two hours per month in active collaboration with us — the rest is handled by our team autonomously, with your sign-off at defined milestones.
We use async-first communication so you're not pulled into frequent meetings, and we document everything so nothing depends on institutional memory.
Do you offer print design alongside digital?
Yes. Print and editorial design is one of our core capabilities — programmes, brochures, season guides, exhibition catalogues, and campaign materials. We design for print and digital in parallel, ensuring consistency across the full audience experience rather than treating them as separate commissions.
More questions? Reach out anytime.
